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20. Australian Aboriginal: The Dreamtime
http://www.dreamscape.com/morgana/miranda.htm

In the beginning the earth was a bare plain. All was dark. There was no life, no death. The sun, the moon, and the stars slept beneath the earth. All the eternal ancestors slept there, too, until at last they woke themselves out of their own eternity and broke through to the surface.

When the eternal ancestors arose, in the Dreamtime, they wandered the earth, sometimes in animal form -- as kangaroos, or emus, or lizards -- sometimes in human shape, sometimes part animal and human, sometimes as part human and plant.

Two such beings, self-created out of nothing, were the Ungambikula. Wandering the world, they found half-made human beings. They were made of animals and plants, but were shapeless bundles, lying higgledy-piggledy, near where water holes and salt lakes could be created. The people were all doubled over into balls, vague and unfinished, without limbs or features.

With their great stone knives, the Ungambikula carved heads, bodies, legs, and arms out of the bundles. They made the faces, and the hands and feet. At last the human beings were finished.

Thus every man and woman was transformed from nature and owes allegiance to the totem of the animal or the plant that made the bundle they were created from -- such as the plum tree, the grass seed, the large and small lizards, the parakeet, or the rat.

This work done, the ancestors went back to sleep. Some of them returned to underground homes, others became rocks and trees. The trails the ancestors walked in the Dreamtime are holy trails. Everywhere the ancestors went, they left sacred traces of their presence -- a rock, a waterhole, a tree.

For the Dreamtime does not merely lie in the distant past, the Dreamtime is the eternal Now. Between heartbeat and heartbeat, the Dreamtime can come again.

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21. Aztec
http://www.dreamscape.com/morgana/miranda.htm

The mother of the Aztec creation story was called Coatlique (the Lady of the Skirt of Snakes). She was created in the image of the unknown, decorated with skulls, snakes, and lacerated hands. There are no cracks in her body and she is a perfect monolith (a totality of intensity and self-containment, yet her features were square and decapitated).

Coatlique was first impregnated by an obsidian knife and gave birth to Coyolxanuhqui, goddess of the moon, and to a group of male offspring, who became the stars. Then one day Coatlique found a ball of feathers, which she tucked into her bosom. When she looked for it later, it was gone, at which time she realized that she was again pregnant. Her children, the moon and stars did not believe her story. Ashamed of their mother, they resolved to kill her. A goddess could only give birth once, to the original litter of divinity and no more. During the time that they were plotting her demise, Coatlique gave birth to the fiery god of war, Huitzilopochtli. With the help of a fire serpent, he destroyed his brothers and sister, murdering them in a rage. He beheaded Coyolxauhqui and threw her body into a deep gorge in a mountain, where it lies dismembered forever. The natural cosmos of the Indians was born of catastrophe. The heavens literally crumbled to pieces. The earth mother fell and was fertilized, while her children were torn apart by fratricide and then scattered and disjointed throughout the universe.

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